The post-production of this film was a 24-hour project. After receiving the materials from the camera operators, I collaborated with the lead editor, Bram Mass, to conduct spotting, which involved carefully selecting the shots needed for the final film. While Bram was working on the edit, I was searching for and delivering the materials he needed.

In the final stage of editing, when 90% of the work was completed, I took care of color correction, followed by color grading. This is how we completed the project and delivered it in less than 24 hours after the event had finished.